Not much time for preamble today. If you spend any time on Twitter at all, you’ve probably seen a slew of different brackets making the rounds, usually pitting great movies or Internet boyfriends against each other. Yet of all the brackets, though, only one truly begged for completion:
Now, I imagine I would have seeded this a little differently, but we play with the memes we’re dealt. First round went pretty quickly. Wherever possible, the edge went to the iconic song over the merely nostalgic.
A few items of note:
- The behemoth “Let It Go” lost in an early season upset to “Part of Your World.” Whether this demonstrates the strength of longing over empowerment, or whether the judge was simply some random thirtysomething unable to set aside his childhood, we may never know.
- Classic dad-rockers Phil Collins, Billy Joel, and Elton John all survive into Round 2. Joel is probably the biggest surprise there, but even “Why Should I Worry” performed well against the cut-rate Prince ripoff from The Goofy Movie.
- The defeat of “I See the Light” hurt far more than I expected. Although Tangled is one of my all-time favorite animated movies, “Part of Your World” is easily among the best Disney songs ever composed and readily curbstomped the competition.
- On the other hand, “Go the Distance” and “How Far I’ll Go” aren’t even close to the same level. The Hercules song is fine enough, but, thematically, Moana just hangs together so much better, and “How Far I’ll Go” plays an indispensable part in that film’s execution.
- “You’re Welcome” and “Friend Like Me” made for a tougher competition than I expected. The difference came down to performance. The Rock does well enough, but there’s no world at all where he out-sings Robin Williams.
Something really interesting happened this round: I realized just how much I esteem the songs of A Little Mermaid. I can’t discount the fact that Mermaid was one of the first movies I ever saw in the theater, but I also suspect that there’s something objectively timeless and classic in the songs from that film.
Some more notes:
- Perhaps no song in Disneydom is more revered than the villain song, and “Hellfire” is among the best of those, easily trouncing the iconic “Beauty and the Beast.” Given a choice between love and damnation, leave it to me to make the… questionable choice.
- This same tendency is on display again on the other side of the bracket, as “Poor Unfortunate Souls” wins out over “Remember Me.”
- Of the dad rockers, only Elton John endures. Likely this is due to the relatively weak competition. “Heffalumps and Woozles” worms its way into your brain, but “Can You Feel the Love Tonight” managed to pull ahead, perhaps demonstrating some awareness that it alone remains to represent the best film of Disney’s second golden age.
Let’s jump straight to the commentary:
- The Little Mermaid continues to impress, sending two of its numbers to the Final Four. Its third representative, “Part of Your World,” loses its footing against “Hellfire,” but it goes home with its head held high, having made a good showing to this point.
- “When You Wish Upon a Star” may carry a questionable message, but it’s undoubtedly classic. Not even Elton John stands a chance.
At this point, there is nothing more I can do but be true to myself. When forced to pick between a pair of villain songs, one of the most charming and romantic Disney songs of all time, and a song that is arguably the MOST Disney song of all time… how I could I not pick the villain songs?
And now, we come to…
ROUND FIVE – THE FINAL ROUND
“Poor Unfortunate Souls” is a delightfully, unapologetically wicked number, easily among the best Disney songs ever composed. Its opponent, “Hellfire,” lacks the tongue-in-cheek fun of “Poor Unfortunate Souls,” but it makes up for it with deep feeling and pathos. So who wins in the battle between earnestness and camp? In the end, there was really no question: